Words: Dave Proudlove // @fslconsult

It’s early 2025, and preparations are well underway for next year’s World Cup finals, hosted jointly by Mexico, Canada and the USA. The tournament will be a landmark for Mexico in particular. The country has a fine World Cup heritage, and the 2026 finals will be the third time that they have been a host nation, following on from the memorable tournaments of 1970 and 1986.

At the heart of Mexico’s World Cup heritage is the Estadio Azteca, more commonly known outside of Latin America as the Azteca Stadium. As if to reinforce this, the Azteca Stadium will host the 2026 finals’ opening fixture which will feature Mexico.

The Azteca Stadium is the home of Mexican football. As well as being the national team’s main base, it is also where Mexico’s most successful club – Club América – plays their football, and is the sixth biggest stadium in world football.

The stadium is located in Coyoacán, a borough of Mexico City, and it was built as a principle venue for the 1968 Olympic Games, designed by architects Pedro Ramírez Vázquez – who was best known for the Mexico Pavilion at the World Expo 58 in Brussels, and the building of prefabricated schools in Europe and Asia, while he was also responsible for the design of the Club América crest  – and his regular partner Rafael Mijares Alcérreca. The two had collaborated for a number of years, their first major work being the Ministry of Labour and Social Security in Mexico City, while in 1956 they completed the remarkable market in Coyoacán, which was an innovative exercise in reinforced concrete in the style of inverted umbrellas which mimicked the tents that normally hosted the weekly tianguis. And so when the 1968 Olympic Games were awarded to Mexico, the desire to build the event’s key venue in Coyoacán, meant that Vázquez and Alcérreca were perhaps the obvious choice to lead its development. Ground was broken in 1961, with the stadium completed five years later in 1966. The Azteca stands 7,200 feet above sea level, and on its completion had a capacity of more than 100,000. It is the Latin American Modernist masterpiece.

The stadium was opened on 29 May 1966 with a friendly between Club América and Torino, who had recovered from the 1949 air disaster – which had killed their successful team of the 1940s – to once again become one of Italy’s leading clubs. The two sides played out a 2-2 draw before a crowd of 107,494, with the first two goals scored – both for Club América – by Brazilians Arlindo Dos Santos and José Alves, which was perhaps quite apt given the impact that Brazil were to have in the World Cup in Mexico in 1970.

The stadium’s modern floodlighting system was first used a week later on 5 June for another friendly, this time between Mexican side Club Necaxa and Spanish giants Valencia. Valencia ran out 3-1 winners, but Roberto Martínez netted Club Necaxa’s goal, becoming the first Mexican to score in the Azteca.

Although the Azteca Stadium was built for the 1968 Olympic Games, it was a footballing venue first and foremost, and while it became the long-standing home of Club América, it became most associated with the World Cup, hosting a number of games during Mexico’s two spectacular tournaments in 1970 and 1986.

The 1970 World Cup was lit up by the brilliant Brazilian team that lifted the Jules Rimet Trophy for the third time. It was Pelé’s fourth tournament, and a personal triumph for him; he was named player of the tournament having been kicked out (literally) of the previous two World Cups in England and Chile by some brutal defending. Arguably the two best games of the tournament were held at the Azteca Stadium, the second of which saw a Pelé masterclass.

The first of these was the semi-final between Italy and West Germany – the so-called ‘Game of the Century’, which is commemorated by a bronze plaque outside the stadium – which Italy won 4-3 after extra-time. Remarkably the game was 1-1 after 90 minutes, the five goals scored during the additional half-an-hour setting a World Cup record for the highest number of goals scored during a period of extra-time.

And then came the final.

Both Brazil and Italy had won the World Cup twice: Brazil in 1958 and 1962 and Italy in 1934 and 1938, and so the winners of the 1970 final were to retain the Jules Rimet Trophy permanently. And it was to go back to Brazil following the Seleçaõ’s 4-1 demolition of the Azzurri.

Brazil had sailed through to the final with five straight wins, including a 1-0 win over England that is best remembered for Gordon Banks’ brilliant save from Pelé, scoring 15 goals in the process. Italy’s route was a little more challenging; a 1-0 win over Sweden was followed by goalless draws with Uruguay and Israel. However, they came to life in the knockout stages, beating hosts Mexico 4-1 in the quarter-finals, before that incredible semi-final triumph over West Germany.

Brazil took the lead after 18 minutes when Pelé headed home from a Rivellino cross, but that was undone shortly before the break when Roberto Boninsegna took advantage of some poor defending to draw Italy level. However, that was to be as good as it for the Italians, and in the second half Brazil simply tore them apart. It was all orchestrated by Pelé, who had a huge hand in his team’s third and fourth goals after Gérson had fired them in front. And it was the fourth which is best remembered and is considered to be one of the greatest World Cup goals of all time.

A sleek move that started just outside the Brazilian penalty area with a surging run from Clodoaldo was finished by captain Carlos Alberto who smashed the ball home from a cool, nonchalant pass from Pelé. The move involved seven of Brazil’s outfield players, and summed up both their final and their tournament as a whole. And following the final whistle, Pelé was carried aloft from the field by his celebrating teammates, providing us with one of the most abiding and iconic World Cup images.

Pelé and his team mates celebrate their 1970 World Cup win at the Azteca Stadium.
Photo Credit: Associated Press

Just as the 1970 World Cup in Mexico was all about Brazil and their number 10 Pelé, the 1986 World Cup was all about their South American rivals Argentina and their own number 10, Diego Maradona.

Mexico were last minute hosts of the 1986 finals, and had just three years to prepare. Columbia had originally been selected by FIFA to host the tournament but resigned as hosts in 1982 for economic reasons, declaring they could no longer afford to do so. And so in March 1983, Mexico was chosen to be the new host nation, beating off both Canada and the USA – who had both ‘deviated’ from the selection criteria according to FIFA – becoming the first country to host the World Cup twice.

But Mexico’s hosting didn’t come without its own particular dramas. Former US Secretary of State Henry Kissinger – who led the USA’s bid – heavily criticised FIFA’s process quipping that “the politics of soccer make me nostalgic for the politics of the Middle East”, while the leader of the Canadian bid branded Mexico’s 10-page bid document “a joke.” And then in September 1985, just eight months before the start of the tournament, a devastating earthquake struck Mexico casting doubts on their ability to continue as host. As luck would have it though, none of the stadiums were damaged, and the authorities gave the World Cup the green light.

Although I can recall the 1982 World Cup in Spain, the first that really captured my imagination and is seared into my consciousness is the 1986 tournament. From the Panini sticker album – the first that I filled – and the cool 80s logo, through to the official World Cup song – the appropriately titled ‘Azteca Gold’ – and of course, the football; the 1986 World Cup had some incredible sides and incredible players. And I was rooting for Bobby Robson’s England side that I felt were dark horses. But the man that prevented England going all the way was – at the time – the world’s greatest player, Diego Maradona.

The Mexico ‘86 logo.
Photo Credit: FIFA

The Azteca Stadium was obviously going to be the tournament’s key venue, and the stadium saw a range of works leaving it with a capacity of 114,600. It hosted the World Cup curtain-raiser between Bulgaria and Italy, all three of Mexico’s group games and their round of 16 victory over Bulgaria. And the Azteca also hosted both of England’s knockout games, the first of which was a 3-0 triumph over Paraguay in the round of 16 which set up a quarter-final clash with Argentina.

There was an added edge to the quarter-final between England and Argentina. 20 years earlier, England had faced Argentina in the quarter-finals of the 1966 World Cup and ran out 1-0 in controversial circumstances; Argentina’s captain Antonio Rattín was sent off, and following the match, Alf Ramsey branded the South Americans “animals.” And more recently, the two countries had been at war just four years earlier over the Falkland Islands, something that the press were making much bad noise about. Into all that stepped Maradona.

Maradona went into the 1986 World Cup with a point to prove. His appearance at the previous tournament in Spain saw him savagely treated by opponents and under protected by officials, and his temper got the better of him in Argentina’s final game – a heavy defeat to Brazil – when he was sent off for a serious foul in an act of retribution towards Batista. The 1986 World Cup arrived just as Maradona was reaching his prime and provided the perfect stage for him to showcase his talent. And he took the opportunity with both hands.

Ahead of the tournament, Maradona was given the captaincy, and he relished the additional responsibility. Argentina’s opening group fixture saw them ease to a comfortable 3-1 win over unfancied South Korea, while their second was a different proposition as they faced Italy. The Azzurri took an early lead from the penalty spot through Inter Milan’s Alessandro Altobelli, but Maradona bagged an equaliser on 34 minutes to salvage a point. Argentina eased their way into the round of 16 with a comfortable 2-0 victory over Bulgaria.

Argentina faced fellow South Americans Uruguay in the first knockout phase in Puebla, Pedro Pasculli getting the only goal of the game a few minutes before half-time. It was a result that took Argentina to Mexico City and the Azteca Stadium for a showdown with England.

England had arrived in Mexico City for their 3-0 win over Paraguay in the round of 16, secured thanks to two goals from Gary Lineker and one from Peter Beardsley. But they were to face something completely different in Argentina and Diego Maradona.

After a cagey and tense first 45 minutes, the game came to life inside the first 10 minutes of the second half with two Argentinian goals. While the second was genius, the opener was mired in controversy and accusations of cheating. Maradona picked up the ball and cut inside from the left wing before playing a pass to Jorge Valdano and continuing his run, anticipating a return ball. However, Maradona had mistimed his pass slightly allowing England midfielder Steve Hodge to reach the ball. Hodge sliced his attempted clearance and saw it loop upwards and into the penalty area, and Maradona launched himself into an aerial challenge with England goalkeeper Peter Shilton – who was eight inches taller – and punched the ball into the unguarded net, leading to jubilation in Argentina, and indignant fury in England.

Diego Maradona, or the hand of god?
Photo Credit: Bob Thomas/Getty Images

Five minutes later, Maradona made it 2-0 to Argentina with a goal of sheer brilliance. Maradona took a pass in his own half before heading off on a 60-yard run towards the England goal, slaloming past Peter Beardsley, Peter Reid, Terry Butcher – not once, but twice – and Terry Fenwick before selling Shilton a dummy and slotting the ball home into an empty net. It was a breath-taking and outrageous piece of individualism, and though England were to pull a goal back through Gary Lineker, Maradona had beaten them on his own.

Initially, Argentina’s victory and Maradona’s glorious winning goal were overshadowed by his controversial opener, and when asked about if he’d handled the ball in the post-match press conference, Maradona replied, “un poco con la cabeza de Maradona y otro poco con la mano de Dios" – "a little with the head of Maradona and a little with the hand of God.” His brilliant second goal became known as the ‘Goal of the Century’, and just like the Italy v West Germany semi-final in the 1970 World Cup, it too is commemorated at the Azteca Stadium. And England? Well, Steve Hodge did alright. He swapped shirts with Maradona and went on to sell it at auction for £7.14m.

After defeating England, Argentina faced a semi-final with Belgium at the Azteca, and Maradona carried them forward, scoring both goals in a 2-0 win, to secure a place in the final where West Germany were waiting.

West Germany proved to be Argentina’s most difficult opponent of the 1986 tournament, and particularly so for Maradona. The Germans had predictably identified Maradona as their main threat and sought to nullify him through close double-marking, though this caused them problems elsewhere, allowing Argentina to race into a 2-0 lead. The Germans were nothing if not resilient though, and dragged themselves back into the game with two goals in the space of five minutes with 10 minutes to go. However, there was no way they were going to keep Diego Maradona quiet for 90 minutes, and with a little over five minutes to go, he found space and pulled away from Lothar Matthäus, playing in Jorge Burruchaga who steered home the winning goal. It was a personal triumph for Maradona who lifted the World Cup – Argentina’s second – and ended the finals with five goals while being named player of the tournament. It really was the Maradona World Cup, and the backdrop was the Azteca Stadium.

Fast forward almost 40 years, and although there have been challenges along the way, the Azteca Stadium is undergoing major investment and being readied once again to be a key venue in a World Cup finals, this time as part of a three-nation tournament alongside old hosting rivals Canada and the USA, and almost 60 years since its opening.

The Azteca Stadium today.
Photo Credit: Getty Images

Indeed, the continued evolution of the Azteca Stadium is heartening, and is important in that it represents a commitment to Latin America’s Modernist heritage, and demonstrates how set-piece stadia can be renewed rather than fall victim to the wrecking ball and the dick-waving replacements churned out by the starchitect class. Compare and contrast with the replacement of Wembley, and plans for the San Siro and more recently, Old Trafford.

The Azteca Stadium has been the scene of many great footballing moments, and remains one of the world’s best venues; long may it endure.